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	<title>The Berkshire Bach Society</title>
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	<description>Baroque Music in the Berkshires</description>
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		<title>Simone Dinnerstein Bio</title>
		<link>http://www.berkshirebach.org/2012/01/simone-dinnerstein-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/simone-dinnerstein-bio/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 16:45:57 +0000</pubDate>
		<dc:creator>berkshirebach</dc:creator>
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		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2976</guid>
		<description><![CDATA[American pianist Simone Dinnerstein has been called &#8220;a throwback to such high priestesses of music as Wanda Landowska and Myra Hess,&#8221; by Slate magazine, and praised by TIME for her &#8220;arresting freshness and subtlety.&#8221; The New York-based pianist gained an international following because of the remarkable success of her recording of Bach&#8217;s Goldberg Variations, which [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2943" class="wp-caption alignleft" style="width: 212px"><a href="http://www.berkshirebach.org/wp-content/uploads/2012/01/SimoneDinnersteinbyLisaMarieMazzucco.jpg"><img class="size-full wp-image-2943" title="SimoneDinnersteinbyLisaMarieMazzucco" src="http://www.berkshirebach.org/wp-content/uploads/2012/01/SimoneDinnersteinbyLisaMarieMazzucco.jpg" alt="" width="202" height="101" /></a><p class="wp-caption-text">Simone Dinnerstein</p></div>
<p>American pianist <strong>Simone Dinnerstein</strong> has been called &#8220;a throwback to such high priestesses of music as Wanda Landowska and Myra Hess,&#8221; by Slate magazine, and praised by TIME for her &#8220;arresting freshness and subtlety.&#8221; The New York-based pianist gained an international following because of the remarkable success of her recording of Bach&#8217;s Goldberg Variations, which she raised the funds to record. Released in 2007 on Telarc, it ranked No. 1 on the US Billboard Classical Chart in its first week of sales and was named to many &#8220;Best of 2007&#8243; lists including those of The New York Times, The Los Angeles Times, and The New Yorker. Her follow-up album, The Berlin Concert, also gained the No. 1 spot on the Chart.</p>
<p>Ms. Dinnerstein has since signed an exclusive agreement with Sony Classical, and her first album for that label &#8211; Bach: A Strange Beauty &#8211; was released in January 2011, immediately earning the No. 1 spot on the Billboard Classical Chart, and making the Billboard Top 200 which compiles the entire music industry&#8217;s top selling albums in all genres. The San Francisco Chronicle called Bach: A Strange Beauty &#8220;unadorned but profound bliss,&#8221; and The Washington Post raved, &#8220;Dinnerstein&#8217;s readings may be said to plumb these works&#8217; genuine depths . . . poised, elegant, wonderfully played.&#8221; In conjunction with the album&#8217;s release, Ms. Dinnerstein was featured on national television by CBS Sunday Morning. She was the bestselling instrumentalist of 2011 on the US Billboard Classical Chart, and was also included in NPR&#8217;s 2011 100 Favorite Songs from all genres.</p>
<p>Ms. Dinnerstein&#8217;s second album for Sony Classical will be released on January 31, 2012. Entitled Something Almost Being Said, it includes J. S. Bach&#8217;s Partitas Nos. 1 and 2, and Schubert&#8217;s Four Impromptus, Op. 90. The album was recorded at the Academy of Arts and Letters in New York by Grammy-winning producer Adam Abeshouse, and its title is taken from English poet Philip Larkin&#8217;s &#8220;The Trees.&#8221;</p>
<p>Ms. Dinnerstein&#8217;s performance schedule has taken her around the world since her triumphant New York recital debut at Carnegie Hall&#8217;s Weill Recital Hall in 2005, performing Bach&#8217;s Goldberg Variations. Recent and upcoming performances include her recital debuts at The Kennedy Center for the Performing Arts, the Vienna Konzerthaus, and London&#8217;s Wigmore Hall, the Lincoln Center Mostly Mozart Festival, the Aspen and Ravinia festivals, in Cologne, Paris, London, Copenhagen, Vilnius, Bremen, Rome, and Lisbon, and at the Stuttgart Bach Festival; as well as debut performances with the Frankfurt Radio Symphony Orchestra, Dresden Philharmonic, Czech Philharmonic, New York Philharmonic, Minnesota Orchestra, Atlanta Symphony, Baltimore Symphony, Orchestra of St. Luke&#8217;s, Kristjan Järvi&#8217;s Absolute Ensemble, and the Tokyo Symphony. In New York she has performed on Lincoln Center&#8217;s Great Performers series, and in three sold-out recitals at The Metropolitan Museum of Art. She is also a frequent performer at New York&#8217;s (Le) Poisson Rouge, a club presenting all genres of music.</p>
<p>Ms. Dinnerstein has played concerts throughout the United States for the Piatigorsky Foundation, an organization dedicated to bringing classical music to non-traditional venues. Amongst the places she has played are nursing homes, schools and community centers. Most notably, she gave the first classical music performance in the Louisiana state prison system when she played at the Avoyelles Correctional Center. She also performed at the Maryland Correctional Institution for Women, in a concert organized by the Baltimore Symphony Orchestra to coincide with her BSO debut.</p>
<p>In addition, Ms. Dinnerstein has founded Neighborhood Classics, a concert series open to the public and hosted by New York City public schools. The concerts, which feature musicians Ms. Dinnerstein has admired and collaborated with during her career, raise funds for the schools&#8217; Parent Teacher Associations. The musicians performing donate their time and talent to the program. Neighborhood Classics began at PS 321, the Brooklyn public elementary school that her son attends and where her husband teaches fifth grade, and expanded in 2010 to PS 142 on New York&#8217;s Lower East Side.</p>
<p>Over the past few years, Ms. Dinnerstein has been featured in Gramophone, BBC Music Magazine, Classic FM Magazine, The New York Times, The Wall Street Journal, &#8220;O&#8221; The Oprah Magazine, TIME, Slate, Stern, Cicero, The Sunday (London) Times Magazine, The Daily Telegraph, The Independent, The Guardian, and the Frankfurter Allgemeine Zeitung, among others, and has appeared on radio programs including BBC Radio 3&#8242;s In Tune, BBC Radio 4&#8242;s Woman&#8217;s Hour, NPR&#8217;s Morning Edition, Public Radio International&#8217;s Studio 360 with Kurt Andersen, American Public Media&#8217;s Performance Today, Minnesota Public Radio, XM Radio&#8217;s Classical Confidential, as part of the news on SIRIUS Satellite Radio&#8217;s The Howard Stern Show, and on national television in Germany.</p>
<p>Ms. Dinnerstein is a graduate of The Juilliard School where she was a student of Peter Serkin. She was a winner of the Astral Artist National Auditions, and has twice received the Classical Recording Foundation Award. She also studied with Solomon Mikowsky at the Manhattan School of Music and in London with Maria Curcio. Simone Dinnerstein (pronounced See-MOHN-uh DIN-ner-steen) lives in Brooklyn, New York with her husband and son. She is managed by Tanja Dorn at IMG Artists and is a Sony Classical artist.</p>
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		<title>Cambridge Concentus Bio</title>
		<link>http://www.berkshirebach.org/2012/01/cambridge-concentus-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/cambridge-concentus-bio/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 02:56:26 +0000</pubDate>
		<dc:creator>berkshirebach</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2962</guid>
		<description><![CDATA[The Boston-based ensemble Cambridge Concentus performs the vocal and orchestral repertoire of the seventeenth and eighteenth century. Its members feel that the performance of this music, despite being such a standard part of our repertoire, warrants a less standard approach. The performers of Cambridge Concentus are drawn from a new generation of early-music musicians committed [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><strong>The Boston-based ensemble Cambridge Concentus </strong>performs the vocal and orchestral repertoire of the seventeenth and eighteenth century. Its members feel that the performance of this music, despite being such a standard part of our repertoire, warrants a less standard approach. The performers of Cambridge Concentus are drawn from a new generation of early-music musicians committed to infusing recent scholarship with an energetic performance style. It is with this performance ideal that the ensemble performs the classic seventeenth and eighteenth-century works to critical acclaim. The Musical Intelligencer recently wrote: “this concert will emblazon Cambridge Concentus in my mind,” while another lauded: “the lightness of playing once again caught me off-guard. Wonderful!” Cambridge Concentus, under the direction of their co-artistic advisor Joshua Rifkin, recently embarked upon a four-concert tour of Japan where a critic hailed their rendering of J. S. Bach’s St. Matthew Passion as &#8220;an epoch-making performance. More at: www.cambridgeconcentus.org <a href="http://www.cambridgeconcentus.org" target="_blank"></a></p>
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		<title>Wu Jie bio</title>
		<link>http://www.berkshirebach.org/2012/01/wu-jie-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/wu-jie-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:27:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2828</guid>
		<description><![CDATA[Violinist WU JIE has garnered success as both a chamber and solo musician. Wu Jie was awarded first prize at the Orford Second International Violin Competition at age 16 with her stunning performance of the Barber violin concerto, which was broadcast across the province of Quebec, Canada. This prize led to solo appearances and tours [...]]]></description>
			<content:encoded><![CDATA[<p>Violinist WU JIE has garnered success as both a chamber and solo musician. Wu Jie was awarded first prize at the Orford Second International Violin Competition at age 16 with her stunning performance of the Barber violin concerto, which was broadcast across the province of Quebec, Canada. This prize led to solo appearances and tours with the NAC Orchestra, I Musici Chamber Orchestra, FACE orchestra of Montreal and the Shanghai Music Conservatory Symphony Orchestra, as well as solo recitals in Montreal, Ottawa, Shanghai, and New York.  Wu Jie is the founding member of the Escher String Quartet and member of the Berkshire Bach Ensemble. Wu Jie began her studies at the Shanghai Music Conservatory and continued her training in Montreal. She received her undergraduate degree from the Manhattan School of Music. Her teachers include Pinchas Zukerman, Patinka Kopec, Eleonora Turovsky, Lei Fang, and Robert Mann.  </p>
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		<title>Patrick Wood bio</title>
		<link>http://www.berkshirebach.org/2012/01/patrick-wood-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/patrick-wood-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:26:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2826</guid>
		<description><![CDATA[British-Mexican violinist PATRICK WOOD Uribe studied Modern Languages at Oxford University, violin performance at the Royal Academy of Music in London, and holds a PhD in Musicology from Princeton University. As a chamber musician with the New York Chamber Soloists and as violinist in The Chatham-Wood Duo, he has performed widely throughout Europe and the [...]]]></description>
			<content:encoded><![CDATA[<p>British-Mexican violinist PATRICK WOOD Uribe studied Modern Languages at Oxford University, violin performance at the Royal Academy of Music in London, and holds a PhD in Musicology from Princeton University. As a chamber musician with the New York Chamber Soloists and as violinist in The Chatham-Wood Duo, he has performed widely throughout Europe and the United States. His debut CD of unaccompanied works by seventeenth-century composer Thomas Baltzar was released on MSR Classics in 2008 to critical acclaim, and a second CD of new commissions and recent works for Violin, Voice, and Piano, titled Love Raise Your Voice, has just been released. He is currently Assistant Professor of Music at Boston University.</p>
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		<title>Keve Wilson bio</title>
		<link>http://www.berkshirebach.org/2012/01/keve-wilson-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/keve-wilson-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:26:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2824</guid>
		<description><![CDATA[Oboist KEVE WILSON’s 2011 CD Pure Imagination resulted in a contract with Baird Artists Management to promote her show Cabaret Oboe. A past winner of Concert Artists Guild, Keve performed with Jazz at Lincoln Center as solo oboist of the re-creation of Bird with Strings as well as at the Newport Jazz Festival in 2011. [...]]]></description>
			<content:encoded><![CDATA[<p>Oboist KEVE WILSON’s 2011 CD Pure Imagination resulted in a contract with Baird Artists Management to promote her show Cabaret Oboe. A past winner of Concert Artists Guild, Keve performed with Jazz at Lincoln Center as solo oboist of the re-creation of Bird with Strings as well as at the Newport Jazz Festival in 2011. She played the World Premier of After Hearing Bach by Peter Schickele, won a position in Opera Pacific, and played on the soundtracks for numerous films, including Spiderman 3 while living in Los Angeles. As solo oboist with the Absolute Ensemble, she has performed from Estonia to Greece, and appears on the group’s multiple CDs, including the Grammy nominated album Absolute Mix. Keve is excited to be performing with the Berkshire Bach Festival this holiday. She resides in her favorite city of New York with her husband and two Portuguese water dogs.</p>
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		<title>Peter Weitzner bio</title>
		<link>http://www.berkshirebach.org/2012/01/peter-weitzner-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/peter-weitzner-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:25:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2822</guid>
		<description><![CDATA[PETER WEITZNER, double bass, performs as orchestral and chamber musician and as soloist has appeared with the Baltimore Symphony and performed the New York premiere of Sheila Silver’s Chant for double bass and piano. An avid chamber musician, Mr. Weitzner is currently the curator and host of the BPL Chamber Players in residence at the [...]]]></description>
			<content:encoded><![CDATA[<p>PETER WEITZNER, double bass, performs as orchestral and chamber musician and as soloist has appeared with the Baltimore Symphony and performed the New York premiere of Sheila Silver’s Chant for double bass and piano. An avid chamber musician, Mr. Weitzner is currently the curator and host of the BPL Chamber Players in residence at the Central branch (Grand Army Plaza) of the Brooklyn Public Library. He has performed with the Chamber Music Society of Lincoln Center, Orion Quartet, Enso String Quartet, Trio Solisti, New York Chamber Ensemble, Yale at Norfolk, Cooperstown Chamber Music Festival, New York Philomusica, Garden City Chamber Music Society and the Sherman Chamber Ensemble. For ten years Mr. Weitzner toured the world as a member of the Giora Feidman Trio. He is also a charter member of the Quincy Jones Musiq Consortium, an arts education advocacy group comprised of arts related non-profits, musicians and educators. His work can be heard on the Nonesuch, Albany, Pro Gloria Musicae, New World Records, Musical Heritage Society, Delos, Grenadilla, and Berkshire Bach Society record labels.</p>
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		<title>Stephen Walt bio</title>
		<link>http://www.berkshirebach.org/2012/01/stephen-walt-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/stephen-walt-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:24:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2820</guid>
		<description><![CDATA[STEPHEN WALT is principal bassoonist with the Albany Symphony Orchestra, the Berkshire Symphony and the Berkshire Bach Ensemble. Mr. Walt has been on the faculty of the University of Massachusetts since 1999, where he holds the rank of Senior Lecturer, and is Artist Associate in Bassoon and Director of Woodwind Chamber Music at Williams College. [...]]]></description>
			<content:encoded><![CDATA[<p>STEPHEN WALT is principal bassoonist with the Albany Symphony Orchestra, the Berkshire Symphony and the Berkshire Bach Ensemble. Mr. Walt has been on the faculty of  the University of Massachusetts since 1999, where he holds the rank of Senior Lecturer,  and is Artist Associate in Bassoon and Director of Woodwind Chamber Music at Williams College. He has performed with orchestras, opera companies and chamber ensembles throughout the United States, including performances with the Borromeo, Lark, Muir, Amernet, and Shanghai String Quartets. His primary teachers were Sherman Walt and Arthur Weisberg. He has recorded for CRI, Decca, Koch International, Gasparo, Nonesuch and Albany Records.</p>
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		<title>Gerald Serfass bio</title>
		<link>http://www.berkshirebach.org/2012/01/gerald-serfass-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/gerald-serfass-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:23:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2818</guid>
		<description><![CDATA[GERALD SERFASS, trumpeter, holds music performance degrees from West Chester University and the New England Conservatory. His principal teachers were Kenneth Laudermilch and Andre Come. Jerry’s versatility and love of travel led him on European and US tours of Broadway shows such as A Chorus Line, Grease, Crazy for You, My Fair Lady, and Evita. [...]]]></description>
			<content:encoded><![CDATA[<p>GERALD SERFASS, trumpeter, holds music performance degrees from West Chester University and the New England Conservatory.  His principal teachers were Kenneth Laudermilch and Andre Come.  Jerry’s versatility and love of travel led him on European and US tours of Broadway shows such as  A Chorus Line, Grease, Crazy for You, My Fair Lady, and Evita.  He is currently a member of the Springfield and Allentown Symphony Orchestras where he enjoys performing many of the classics.  But, there is that special place in Jerry’s heart reserved for performing on the piccolo trumpet with quality ensembles such as Berkshire Bach Society and the Bach Choir of Bethlehem.</p>
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		<title>Gerard Reuter bio</title>
		<link>http://www.berkshirebach.org/2012/01/gerard-reuter-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/gerard-reuter-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:23:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2816</guid>
		<description><![CDATA[A recipient of the prestigious Pro Musicus International Award, oboist GERARD REUTER has participated as a featured guest artist at many prestigious American and European summer festivals. As a soloist, he has appeared with orchestras throughout the United States, including the Jupiter Symphony, Philharmonia Virtuosi, Riverside Symphony and Orchestra of the Bronx in New York, [...]]]></description>
			<content:encoded><![CDATA[<p>A recipient of the prestigious Pro Musicus International Award, oboist GERARD REUTER has participated as a featured guest artist at many prestigious American and European summer festivals.  As a soloist, he has appeared with orchestras throughout the United States, including the Jupiter Symphony, Philharmonia Virtuosi, Riverside Symphony and Orchestra of the Bronx in New York, the National Chamber Orchestra in Washington, DC, the Soviet Emigre&#8217; Orchestra and the Orpheus Chamber Orchestra , of which he was a founding member. Also a dedicated chamber music performer, he is a member of the Dorian Wind Quintet and was a founding member of the ensemble, An die Musik.  As a guest, he has performed with many ensembles here and abroad. Mr. Reuter has appeared as guest conductor with the Jupiter Symphony, Riverside Symphony, Claremont Strings, New York Mandolin Orchestra and the Schenectady Symphony.  He has recorded for Sony, New World, Telarc, Columbia, BMG-Catalyst, Dorian, Summit and Musical Heritage Society.</p>
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		<title>Meg Owens bio</title>
		<link>http://www.berkshirebach.org/2012/01/meg-owens-bio/</link>
		<comments>http://www.berkshirebach.org/2012/01/meg-owens-bio/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:22:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.berkshirebach.org/?p=2814</guid>
		<description><![CDATA[MEG OWENS owns eight oboes of various shapes and sizes and enjoys playing all of them. In demand as a performer on historical oboes, she appears regularly with some of North America&#8217;s major Baroque orchestras, including Tafelmusik, American Bach Soloists, Opera Lafayette, and Tempesta di Mare. The 2011-2012 season includes solo appearances with REBEL, Four [...]]]></description>
			<content:encoded><![CDATA[<p>MEG OWENS owns eight oboes of various shapes and sizes and enjoys playing all of them. In demand as a performer on historical oboes, she appears regularly with some of North America&#8217;s major Baroque orchestras, including Tafelmusik, American Bach Soloists, Opera Lafayette, and Tempesta di Mare. The 2011-2012 season includes solo appearances with REBEL, Four Nations, Chatham Baroque, and Berkshire Bach. At the other end of the performance practice spectrum, Ms. Owens’s love of modern music has led to collaborations with many composers; an extension of this is her work with the contemporary music ensemble at George Mason University, fostering relationships between student and faculty composers and performers. Hailing from Wilmington, North Carolina, Ms. Owens is a graduate of UNC-Greensboro, Manhattan School of Music, and the City University of New York, where she earned her DMA in the studio of Ronald Roseman, whom she met at Berkshire Bach. </p>
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